Architectural Acoustics Measurement atau Pengukuran Parameter Akustik Arsitektural diperlukan sebagai informasi awal setelah phase kerja Pre-Design. Atau setelah phase kerja After Constuction untuk melihat konsistensi parameter rekomendasi desain dan hasil di lapangan.

Apabila Anda menemui hall yang diperuntukan untuk percakapan, playback music atau pertunjukan music yang memiliki kejelasan suara yang kurang baik. Untuk menganalisa penyebab kejelesan suara yang kurang pada hall Anda secara akurat, kami menyarankan untuk melakukan pengukuran parameter akustik di bawah ini.

measurement-tabel-fix

 

Berikut adalah grafik rekomendasi Reverberation Time untuk presentasi percakapan dan pertunjukan music hidup.

tabel-measurement02

Graphic 1. Recommended value of the mean reverberation time RTrecommended from
500 Hz to 1000 Hz for speech and music presentations as a function of room volume V

 

tabel-measurement03

Graphic 2. Frequency dependent tolerance range of reverberation time RT referred to
RTrecommended for speech presentations

 

tabel-measurement04

Graphic 3. Frequency-dependent tolerance range of reverberation time RT referred to
RTrecommended for music presentations

 

Bibliography

[1] THIELE, R. Directional distribution and time sequence of sound reflections in rooms. Acustica, Vol.1(1956); p.31.
[2] KÜRER, R. A simple measuring procedure for determining the “center time” of room acoustical impulse responses. 7th Intern. Congress on Acoustics, Budapest 1971.
[3] AHNERT, W., SCHMIDT, W. Acoustics in cultural buildings. Institut für Kulturbauten, Berlin 1980.
[4] STEENEKEN, H.J.M., HOUTGAST, T. A physical Method for measuring Speech Transmission Quality. JASA Vol.19 (1980).
[5] HOUTGAST, T., STEENEKEN, H.J.M. A review of the MTF concept in room acoustics and its use for estimating speech intelligibility in auditoria. JASA Vol.77 (1985), pp.1060-1077.
[6] PEUTZ, V.M.A. Articulation Loss of Consonants as a Criterion for
Speech Transmission in a Room. J. Audio Eng. Soc. Vol 19, pp. 915 – 919.
[7] PEUTZ, V.M.A., KLEIN, W. Articulation Loss of Consonants influenced by Noise, Reverberation and Echo. Acust. Soc. Netherlands, Vol 28, pp. 11 – 18.
[8] DIETSCH, L., KRAAK, W. An objective criterion for capturing echo disturbances with music and speech performances. Acustica 60 (1986), p 205.
[9] ABDEL ALIM, O. Parameter Dependence of time and register definition of room acoustical parameters with music performances. Dissertation, TU Dresden 1973.

[10] de V. KEET, W. The influence of early reflections on the Spatial Impression 6. ICA-Kongreß, Tokyo 1968, E 2 – 4.
[11] LEHMANN, P. On the ascertainment of room acoustical criteria and correlation of the same with subjective assessments of the acoustic overall impression. Dissertation TU Berlin, 1976.
[12] BLAUERT, J. Spatial hearing. The MIT Press, Cambridge, Massachusetts and London/England 1983.
[13] BLAUERT, J. Postscript to “Spatial hearing” New results and trends
since 1972. Bochum 1982.
[14] TENNHARDT, H.P. Model measuring procedures for balance investigations by the example of the great hall in the Neues Gewandhaus Leipzig. Acustica 50 (1984), 127.
[15] SCHMIDT, W. Room acoustical criteria for music and speech. Chapter 9.1 in Taschenbuch Akustik Verlag Technik Berlin 1984.
[16] BERANEK, L. L. SCHULTZ, T. J. Some recent experiences in the design and testing of concert halls with suspended panel arrays. Acustica 15 (1965), 307.
[17] DANILENKO, L. Binaural hearing in the non-stationary diffuse sound field. Dissertation TH Aachen 1967.
[18] JORDAN, V. l. Acoustical design of concert halls and theaters. Applied Science Publishers Ltd. 1980.

[19] KÜRER, R., KURZE, A. Integration procedure for evaluating reverberation. Acustica 19 (1967/68), p. 313.
[20] BARRON, M. Auditorium Acoustics and Architectural Design. Verlag E & FN SPON London 1993.
[21] GADE, A.C. Investigations of musicians’ room-acoustic conditions in concert halls. Part I: Methods and laboratory experiments. Acustica 69 (1989), p 193.
[22] GADE, A.C. Investigations of musicians’ room-acoustic conditions in concert halls. Part II: Field experiments and synthesis of results. Acustica 69 (1989), S. 249.
[23] GADE, A.C. Acoustical survey of eleven European concert halls. The Acoustics Laboratory, Technical University of Denmark, Report No. 44, 1989.
[24] HOFFMEIER, J. Investigations on the influence of room timbres on
speech definition. Technical University of Denmark, Thesis for a degree at the TU Dresden, 1996.
[25] SCHROEDER, M.R. New method of measuring reverberation time. JASA 38 (1965), S. 329 and 40, S. 549.
[26] ISO 3382. Measurement of the Reverberation Time of Rooms with Reference to other acoustical Parameters. Annex B Binaural Auditorium Measures derived from Impulse Responses.
[27] KUHL, W. Audio acoustical terms used in room-acoustics. Acustica 39 (1977), S. 57.
[28] KUHL, W. Spaciousness as a component of spatial impression. Acustica 40 (1978) pp. 167 ff.
[29] BERANEK, L. L. Music, Acoustics and Architecture. John Wiley and Sons New York, London 1962.

[30] BERANEK, L. L. Concert and Opera Halls-How they Sound. Acoustical Society of America 1996.
[31] GOTTLOB, D. Comparison of objective acoustic parameters in concert halls with the results of subjective investigations. Dissertation A, Göttingen 1973.
[32] AHNERT, W., TENNHARDT, H.P. Acoustics for Auditoriums and Concert Halls in Glen Ballou, Handbook for SOUND ENGINEERS. Focal Press Boston 2002.
[33] Bruel & Kjaer. RASTI speech transmission meter type 361. Specification Sheet Fa. Brüel & Kjær.
[34] KLEINER, M. A New Way of Measuring Lateral Energy Fractions. App. Acoust., Vol. 27, 321 ff (1989).
[35] BARRON, M., MARSHALL. Spatial impression due to early lateral reflections in concert halls, The derivation of a physical measure. Journal of Sound and Vibration 1981 77(2), 211-231.
[36] AHNERT, W., REICHARDT, W. Grundlagen der Beschallungstechnik.
Hirzel Verlag Stuttgart 1981.
[37] KUTTRUFF, H. Room Acoustics. E&FN SPON, London, 2000.
[38] MEYER: J. Akustik und musikalische Aufführungspraxis. Verlag Erwin Bochinsky Frankfurt am Main, 1999.
[39] AHNERT, W., STEFFEN, F. Sound Reinforcement Engineering, Fundamentals and Practice. E&FN SPON, London, 2000

Contact Us

We're not around right now. But you can send us an email and we'll get back to you, asap.

Not readable? Change text. captcha txt

Start typing and press Enter to search

WhatsApp Chat on WhatsApp